FILMProject Hail Mary (2026)YEAR2026GENREScience FictionAdventureDIRECTORPhil LordChristopher MillerSCREENPLAYDrew GoddardEDITORJoel NegronPRODUCTION DESIGNCharles WoodCINEMATOGRAPHERGreig FraserCOLOURISTDavid ColeCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.43:1 / 1.90:1CAMERASALEXA 65ALEXA Mini LFLENSESCustom ARRI anamorphicsAtlas MercuryViltrox Luna (allocation unconfirmed)STOCK / SENSORALEXA 65/LF01 / 06FILMProject Hail MaryCINEMATOGRAPHERGreig FraserMORE INFO +FILM INFOProject Hail Mary×FILMProject Hail Mary (2026)YEAR2026GENREScience FictionAdventureDIRECTORPhil LordChristopher MillerSCREENPLAYDrew GoddardEDITORJoel NegronPRODUCTION DESIGNCharles WoodCINEMATOGRAPHERGreig FraserCOLOURISTDavid ColeCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.43:1 / 1.90:1CAMERASALEXA 65ALEXA Mini LFLENSESCustom ARRI anamorphicsAtlas MercuryViltrox Luna (allocation unconfirmed)STOCK / SENSORALEXA 65/LF
FILMSinners (2025)YEAR2025GENREHorrorDramaDIRECTORRyan CooglerSCREENPLAYRyan CooglerEDITORMichael P. ShawverPRODUCTION DESIGNHannah BeachlerCINEMATOGRAPHERAutumn Durald ArkapawCOLOURISTKostas TheodosiouCAPTUREFilmFORMATFilmASPECT2.76:1IMAX 1.43:1 / 1.90:1CAMERASPanavision System 65IMAX MSM 9802LENSESPanavision Ultra PanatarIMAX-compatible 50mm/80mm spherical lensesSTOCK / SENSORKodak Vision3 5219Ektachrome 529401 / 06FILMSinnersCINEMATOGRAPHERAutumn Durald ArkapawMORE INFO +FILM INFOSinners×FILMSinners (2025)YEAR2025GENREHorrorDramaDIRECTORRyan CooglerSCREENPLAYRyan CooglerEDITORMichael P. ShawverPRODUCTION DESIGNHannah BeachlerCINEMATOGRAPHERAutumn Durald ArkapawCOLOURISTKostas TheodosiouCAPTUREFilmFORMATFilmASPECT2.76:1IMAX 1.43:1 / 1.90:1CAMERASPanavision System 65IMAX MSM 9802LENSESPanavision Ultra PanatarIMAX-compatible 50mm/80mm spherical lensesSTOCK / SENSORKodak Vision3 5219Ektachrome 5294
FILMConclave (2024)YEAR2024GENREDramaThrillerDIRECTOREdward BergerSCREENPLAYPeter StraughanEDITORNick EmersonPRODUCTION DESIGNSuzie DaviesCINEMATOGRAPHERStéphane FontaineCOLOURISTAndrew DanielCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASRED V-RAPTOR 8K VVLENSESLeitz Summilux-CSTOCK / SENSORRED V-RAPTOR 8K VV sensor01 / 06FILMConclaveCINEMATOGRAPHERStéphane FontaineMORE INFO +FILM INFOConclave×FILMConclave (2024)YEAR2024GENREDramaThrillerDIRECTOREdward BergerSCREENPLAYPeter StraughanEDITORNick EmersonPRODUCTION DESIGNSuzie DaviesCINEMATOGRAPHERStéphane FontaineCOLOURISTAndrew DanielCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASRED V-RAPTOR 8K VVLENSESLeitz Summilux-CSTOCK / SENSORRED V-RAPTOR 8K VV sensor
FILMLonglegs (2024)YEAR2024GENREHorrorThrillerCrimeDIRECTOROsgood PerkinsSCREENPLAYOsgood PerkinsEDITORGreg NgGraham FortinPRODUCTION DESIGNDanny VermetteCINEMATOGRAPHERAndrés Arochi TinajeroCOLOURISTMitch PaulsonCAPTUREHybridFORMATDigitalFilmVHSASPECT2.39:1 / 1.33:1CAMERASALEXA Mini LFLENSESARRI Signature PrimesCooke S4 for film flashbacksSTOCK / SENSORALEXA LFfilm stock unconfirmed01 / 06FILMLonglegsCINEMATOGRAPHERAndrés Arochi TinajeroMORE INFO +FILM INFOLonglegs×FILMLonglegs (2024)YEAR2024GENREHorrorThrillerCrimeDIRECTOROsgood PerkinsSCREENPLAYOsgood PerkinsEDITORGreg NgGraham FortinPRODUCTION DESIGNDanny VermetteCINEMATOGRAPHERAndrés Arochi TinajeroCOLOURISTMitch PaulsonCAPTUREHybridFORMATDigitalFilmVHSASPECT2.39:1 / 1.33:1CAMERASALEXA Mini LFLENSESARRI Signature PrimesCooke S4 for film flashbacksSTOCK / SENSORALEXA LFfilm stock unconfirmed
FILMMonkey Man (2024)YEAR2024GENREActionThrillerDIRECTORDev PatelSCREENPLAYDev PatelPaul AngunawelaJohn ColleeEDITORDávid JancsóTim MurrellJoe GaldoPRODUCTION DESIGNPawas SawatchaiyametCINEMATOGRAPHERSharone MeirCOLOURISTDoug DelaneyCAPTUREDigitalFORMATDigital01 / 06FILMMonkey ManCINEMATOGRAPHERSharone MeirMORE INFO +FILM INFOMonkey Man×FILMMonkey Man (2024)YEAR2024GENREActionThrillerDIRECTORDev PatelSCREENPLAYDev PatelPaul AngunawelaJohn ColleeEDITORDávid JancsóTim MurrellJoe GaldoPRODUCTION DESIGNPawas SawatchaiyametCINEMATOGRAPHERSharone MeirCOLOURISTDoug DelaneyCAPTUREDigitalFORMATDigital
FILMNosferatu (2024)YEAR2024GENREHorrorGothicDIRECTORRobert EggersSCREENPLAYRobert EggersEDITORLouise FordPRODUCTION DESIGNCraig LathropCINEMATOGRAPHERJarin BlaschkeCOLOURISTAdam Glasmanadditional colour: Finlay ReidCAPTUREFilmFORMATFilmASPECT1.66:1CAMERASARRICAM STLENSESBausch & Lomb Baltarcustom PanavisionSTOCK / SENSORKodak Vision3 500T 521901 / 06FILMNosferatuCINEMATOGRAPHERJarin BlaschkeMORE INFO +FILM INFONosferatu×FILMNosferatu (2024)YEAR2024GENREHorrorGothicDIRECTORRobert EggersSCREENPLAYRobert EggersEDITORLouise FordPRODUCTION DESIGNCraig LathropCINEMATOGRAPHERJarin BlaschkeCOLOURISTAdam Glasmanadditional colour: Finlay ReidCAPTUREFilmFORMATFilmASPECT1.66:1CAMERASARRICAM STLENSESBausch & Lomb Baltarcustom PanavisionSTOCK / SENSORKodak Vision3 500T 5219
FILMThe Brutalist (2024)YEAR2024GENREDramaDIRECTORBrady CorbetSCREENPLAYBrady CorbetMona FastvoldEDITORDávid JancsóPRODUCTION DESIGNJudy BeckerCINEMATOGRAPHERLol CrawleyCOLOURISTMáté TernyikCAPTUREFilmFORMATFilmDigiBetaASPECT1.66:1CAMERASVistaVisionARRICAM ST/LTARRIFLEX 235/435LENSESCooke S4/i (VistaVision lenses unconfirmed)STOCK / SENSORKodak Vision3 52035207521901 / 06FILMThe BrutalistCINEMATOGRAPHERLol CrawleyMORE INFO +FILM INFOThe Brutalist×FILMThe Brutalist (2024)YEAR2024GENREDramaDIRECTORBrady CorbetSCREENPLAYBrady CorbetMona FastvoldEDITORDávid JancsóPRODUCTION DESIGNJudy BeckerCINEMATOGRAPHERLol CrawleyCOLOURISTMáté TernyikCAPTUREFilmFORMATFilmDigiBetaASPECT1.66:1CAMERASVistaVisionARRICAM ST/LTARRIFLEX 235/435LENSESCooke S4/i (VistaVision lenses unconfirmed)STOCK / SENSORKodak Vision3 520352075219
FILMThe Substance (2024)YEAR2024GENREBody HorrorSatireDIRECTORCoralie FargeatSCREENPLAYCoralie FargeatEDITORCoralie FargeatJérôme EltabetValentin FeronPRODUCTION DESIGNStanislas ReydelletCINEMATOGRAPHERBenjamin KracunCOLOURISTFabien PascalCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA Mini LFRED V-RAPTORRED KOMODOLENSESTLS Canon K-35Optimo 36–435 / 22–60mmThalia 24mmCooke FF 60/90mm macroARRI 100/200mm macroLeitz M 0.8Laowa probeSTOCK / SENSORALEXA LFRED V-RAPTOR 8KRED KOMODO 6K01 / 06FILMThe SubstanceCINEMATOGRAPHERBenjamin KracunMORE INFO +FILM INFOThe Substance×FILMThe Substance (2024)YEAR2024GENREBody HorrorSatireDIRECTORCoralie FargeatSCREENPLAYCoralie FargeatEDITORCoralie FargeatJérôme EltabetValentin FeronPRODUCTION DESIGNStanislas ReydelletCINEMATOGRAPHERBenjamin KracunCOLOURISTFabien PascalCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA Mini LFRED V-RAPTORRED KOMODOLENSESTLS Canon K-35Optimo 36–435 / 22–60mmThalia 24mmCooke FF 60/90mm macroARRI 100/200mm macroLeitz M 0.8Laowa probeSTOCK / SENSORALEXA LFRED V-RAPTOR 8KRED KOMODO 6K
FILMKillers of the Flower Moon (2023)YEAR2023GENRECrimeDramaWesternDIRECTORMartin ScorseseSCREENPLAYEric RothMartin ScorseseEDITORThelma SchoonmakerPRODUCTION DESIGNJack FiskCINEMATOGRAPHERRodrigo PrietoCOLOURISTYvan LucasCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASARRICAM LT/STSony VENICELENSESPanavision T-SeriesPetzval-style opticsSTOCK / SENSORKodak Vision3 50D 5203250D 5207500T 5219Double-X 522201 / 06FILMKillers of the Flower MoonCINEMATOGRAPHERRodrigo PrietoMORE INFO +FILM INFOKillers of the Flower Moon×FILMKillers of the Flower Moon (2023)YEAR2023GENRECrimeDramaWesternDIRECTORMartin ScorseseSCREENPLAYEric RothMartin ScorseseEDITORThelma SchoonmakerPRODUCTION DESIGNJack FiskCINEMATOGRAPHERRodrigo PrietoCOLOURISTYvan LucasCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASARRICAM LT/STSony VENICELENSESPanavision T-SeriesPetzval-style opticsSTOCK / SENSORKodak Vision3 50D 5203250D 5207500T 5219Double-X 5222
FILMKnock at the Cabin (2023)YEAR2023GENREHorrorThrillerDIRECTORM. Night ShyamalanSCREENPLAYM. Night ShyamalanSteve DesmondMichael ShermanEDITORNoemi Katharina PreiswerkPRODUCTION DESIGNNaaman MarshallCINEMATOGRAPHERJarin BlaschkeLowell A. MeyerCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision Millennium XL2LENSESPanavision Close Focus Primo AnamorphicSTOCK / SENSORKodak Vision3 250D 5207500T 521901 / 06FILMKnock at the CabinCINEMATOGRAPHERJarin Blaschke / Lowell A. MeyerMORE INFO +FILM INFOKnock at the Cabin×FILMKnock at the Cabin (2023)YEAR2023GENREHorrorThrillerDIRECTORM. Night ShyamalanSCREENPLAYM. Night ShyamalanSteve DesmondMichael ShermanEDITORNoemi Katharina PreiswerkPRODUCTION DESIGNNaaman MarshallCINEMATOGRAPHERJarin BlaschkeLowell A. MeyerCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision Millennium XL2LENSESPanavision Close Focus Primo AnamorphicSTOCK / SENSORKodak Vision3 250D 5207500T 5219
FILMOppenheimer (2023)YEAR2023GENREBiographicalDramaDIRECTORChristopher NolanSCREENPLAYChristopher NolanEDITORJennifer LamePRODUCTION DESIGNRuth De JongCINEMATOGRAPHERHoyte van HoytemaCOLOURISTKostas TheodosiouCAPTUREFilmFORMATFilmASPECT70mm 2.20:1digital 2.39:1IMAX 1.43:1 / 1.90:1CAMERASPanavision System 65IMAXLENSESPanavision Sphero 65custom IMAX opticsSTOCK / SENSORKodak Vision3 5207521965mm Double-X01 / 06FILMOppenheimerCINEMATOGRAPHERHoyte van HoytemaMORE INFO +FILM INFOOppenheimer×FILMOppenheimer (2023)YEAR2023GENREBiographicalDramaDIRECTORChristopher NolanSCREENPLAYChristopher NolanEDITORJennifer LamePRODUCTION DESIGNRuth De JongCINEMATOGRAPHERHoyte van HoytemaCOLOURISTKostas TheodosiouCAPTUREFilmFORMATFilmASPECT70mm 2.20:1digital 2.39:1IMAX 1.43:1 / 1.90:1CAMERASPanavision System 65IMAXLENSESPanavision Sphero 65custom IMAX opticsSTOCK / SENSORKodak Vision3 5207521965mm Double-X
FILMPoor Things (2023)YEAR2023GENREFantasyScience FictionComedyDIRECTORYorgos LanthimosSCREENPLAYTony McNamaraEDITORYorgos MavropsaridisPRODUCTION DESIGNJames PriceShona HeathCINEMATOGRAPHERRobbie RyanCOLOURISTGreg FisherCAPTUREFilmFORMATFilmASPECT1.66:1CAMERASARRICAM ST/LTBeaumont Beaucam VistaVisionLENSESPetzval 58/85mmUltra Prime 10mmNikkor 8mmOpTex 4mmMaster Zoom 16.5–110mmOptimo 24–290mmLeica R 19–135mmSTOCK / SENSOREastman Double-X 5222Ektachrome 100D 5294Vision3 500T 521901 / 06FILMPoor ThingsCINEMATOGRAPHERRobbie RyanMORE INFO +FILM INFOPoor Things×FILMPoor Things (2023)YEAR2023GENREFantasyScience FictionComedyDIRECTORYorgos LanthimosSCREENPLAYTony McNamaraEDITORYorgos MavropsaridisPRODUCTION DESIGNJames PriceShona HeathCINEMATOGRAPHERRobbie RyanCOLOURISTGreg FisherCAPTUREFilmFORMATFilmASPECT1.66:1CAMERASARRICAM ST/LTBeaumont Beaucam VistaVisionLENSESPetzval 58/85mmUltra Prime 10mmNikkor 8mmOpTex 4mmMaster Zoom 16.5–110mmOptimo 24–290mmLeica R 19–135mmSTOCK / SENSOREastman Double-X 5222Ektachrome 100D 5294Vision3 500T 5219
FILMAll Quiet on the Western Front (2022)YEAR2022GENREWarDramaDIRECTOREdward BergerSCREENPLAYEdward BergerLesley PatersonIan StokellEDITORSven BudelmannPRODUCTION DESIGNChristian M. GoldbeckCINEMATOGRAPHERJames FriendCOLOURISTAndrew DanielCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA 65ALEXA Mini LFSony VENICEREDLENSESARRI Rental DNAPrime 65 STribe7 Blackwing7Zeiss 21mm (CP.2/CP.3 unconfirmed)STOCK / SENSORALEXA 65/LFSony VENICERED sensor unconfirmed01 / 06FILMAll Quiet on the Western FrontCINEMATOGRAPHERJames FriendMORE INFO +FILM INFOAll Quiet on the Western Front×FILMAll Quiet on the Western Front (2022)YEAR2022GENREWarDramaDIRECTOREdward BergerSCREENPLAYEdward BergerLesley PatersonIan StokellEDITORSven BudelmannPRODUCTION DESIGNChristian M. GoldbeckCINEMATOGRAPHERJames FriendCOLOURISTAndrew DanielCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA 65ALEXA Mini LFSony VENICEREDLENSESARRI Rental DNAPrime 65 STribe7 Blackwing7Zeiss 21mm (CP.2/CP.3 unconfirmed)STOCK / SENSORALEXA 65/LFSony VENICERED sensor unconfirmed
FILMElvis (2022)YEAR2022GENREBiographicalMusicDramaDIRECTORBaz LuhrmannSCREENPLAYBaz LuhrmannSam BromellCraig PearceJeremy DonerEDITORMatt VillaJonathan RedmondPRODUCTION DESIGNCatherine MartinKaren MurphyCINEMATOGRAPHERMandy WalkerCOLOURISTKali BatemanKim Bjoge (roles unconfirmed)CAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA 65LENSESPanavision Sphero 65T-SeriesSTOCK / SENSORALEXA 6501 / 06FILMElvisCINEMATOGRAPHERMandy WalkerMORE INFO +FILM INFOElvis×FILMElvis (2022)YEAR2022GENREBiographicalMusicDramaDIRECTORBaz LuhrmannSCREENPLAYBaz LuhrmannSam BromellCraig PearceJeremy DonerEDITORMatt VillaJonathan RedmondPRODUCTION DESIGNCatherine MartinKaren MurphyCINEMATOGRAPHERMandy WalkerCOLOURISTKali BatemanKim Bjoge (roles unconfirmed)CAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA 65LENSESPanavision Sphero 65T-SeriesSTOCK / SENSORALEXA 65
FILMThe Batman (2022)YEAR2022GENRESuperheroCrimeNeo-NoirDIRECTORMatt ReevesSCREENPLAYMatt ReevesPeter CraigEDITORWilliam HoyTyler NelsonPRODUCTION DESIGNJames ChinlundCINEMATOGRAPHERGreig FraserCOLOURISTDavid ColeCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA LFALEXA ClassicLENSESARRI Rental ALFA anamorphicVLEV/Iron GlassAtlas OrionSTOCK / SENSORALEXA CMOS01 / 06FILMThe BatmanCINEMATOGRAPHERGreig FraserMORE INFO +FILM INFOThe Batman×FILMThe Batman (2022)YEAR2022GENRESuperheroCrimeNeo-NoirDIRECTORMatt ReevesSCREENPLAYMatt ReevesPeter CraigEDITORWilliam HoyTyler NelsonPRODUCTION DESIGNJames ChinlundCINEMATOGRAPHERGreig FraserCOLOURISTDavid ColeCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA LFALEXA ClassicLENSESARRI Rental ALFA anamorphicVLEV/Iron GlassAtlas OrionSTOCK / SENSORALEXA CMOS
FILMThe Fabelmans (2022)YEAR2022GENREDramaComing-of-AgeDIRECTORSteven SpielbergSCREENPLAYSteven SpielbergTony KushnerEDITORMichael KahnSarah BrosharPRODUCTION DESIGNRick CarterCINEMATOGRAPHERJanusz KamińskiCOLOURISTMike HatzerCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASPanavision Millennium XL2LENSESPanavision Primo Close FocusPVintageSTOCK / SENSORKodak Vision3 52035207521901 / 06FILMThe FabelmansCINEMATOGRAPHERJanusz KamińskiMORE INFO +FILM INFOThe Fabelmans×FILMThe Fabelmans (2022)YEAR2022GENREDramaComing-of-AgeDIRECTORSteven SpielbergSCREENPLAYSteven SpielbergTony KushnerEDITORMichael KahnSarah BrosharPRODUCTION DESIGNRick CarterCINEMATOGRAPHERJanusz KamińskiCOLOURISTMike HatzerCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASPanavision Millennium XL2LENSESPanavision Primo Close FocusPVintageSTOCK / SENSORKodak Vision3 520352075219
FILMDune: Part One (2021)YEAR2021GENREScience FictionAdventureDIRECTORDenis VilleneuveSCREENPLAYJon SpaihtsDenis VilleneuveEric RothEDITORJoe WalkerPRODUCTION DESIGNPatrice VermetteCINEMATOGRAPHERGreig FraserCOLOURISTDavid ColeCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.43:1 / 1.90:1CAMERASALEXA LFALEXA Mini LFLENSESPanavision H-Series sphericalUltra Vista anamorphicSTOCK / SENSORALEXA LF CMOS01 / 06FILMDune: Part OneCINEMATOGRAPHERGreig FraserMORE INFO +FILM INFODune: Part One×FILMDune: Part One (2021)YEAR2021GENREScience FictionAdventureDIRECTORDenis VilleneuveSCREENPLAYJon SpaihtsDenis VilleneuveEric RothEDITORJoe WalkerPRODUCTION DESIGNPatrice VermetteCINEMATOGRAPHERGreig FraserCOLOURISTDavid ColeCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.43:1 / 1.90:1CAMERASALEXA LFALEXA Mini LFLENSESPanavision H-Series sphericalUltra Vista anamorphicSTOCK / SENSORALEXA LF CMOS
FILMMank (2020)YEAR2020GENREBiographicalDramaDIRECTORDavid FincherSCREENPLAYJack FincherEDITORKirk BaxterPRODUCTION DESIGNDonald Graham BurtCINEMATOGRAPHERErik MesserschmidtCOLOURISTEric WeidtCAPTUREDigitalFORMATDigitalASPECT2.20:1CAMERASCustom RED Ranger bodies with monochrome HeliumLENSESLeitz Summilux-CFujinon Premier 18–85 / 24–180mm zoomsSTOCK / SENSORRED Helium 8K Monochrome01 / 06FILMMankCINEMATOGRAPHERErik MesserschmidtMORE INFO +FILM INFOMank×FILMMank (2020)YEAR2020GENREBiographicalDramaDIRECTORDavid FincherSCREENPLAYJack FincherEDITORKirk BaxterPRODUCTION DESIGNDonald Graham BurtCINEMATOGRAPHERErik MesserschmidtCOLOURISTEric WeidtCAPTUREDigitalFORMATDigitalASPECT2.20:1CAMERASCustom RED Ranger bodies with monochrome HeliumLENSESLeitz Summilux-CFujinon Premier 18–85 / 24–180mm zoomsSTOCK / SENSORRED Helium 8K Monochrome
FILMMy Octopus Teacher (2020)YEAR2020GENREDocumentaryDIRECTORPippa EhrlichJames ReedSCREENPLAYPippa EhrlichJames ReedEDITORPippa EhrlichDan SchwalmPRODUCTION DESIGNNot established for this documentaryCINEMATOGRAPHERRoger HorrocksCOLOURISTKyle StroebelCAPTUREDigitalFORMATDigitalCAMERASRED DragonLENSESNikon Nikkor 17–55mmSTOCK / SENSORRED Dragon01 / 06FILMMy Octopus TeacherCINEMATOGRAPHERRoger HorrocksMORE INFO +FILM INFOMy Octopus Teacher×FILMMy Octopus Teacher (2020)YEAR2020GENREDocumentaryDIRECTORPippa EhrlichJames ReedSCREENPLAYPippa EhrlichJames ReedEDITORPippa EhrlichDan SchwalmPRODUCTION DESIGNNot established for this documentaryCINEMATOGRAPHERRoger HorrocksCOLOURISTKyle StroebelCAPTUREDigitalFORMATDigitalCAMERASRED DragonLENSESNikon Nikkor 17–55mmSTOCK / SENSORRED Dragon
FILMZola (2020)YEAR2020GENRECrimeComedyDramaDIRECTORJanicza BravoSCREENPLAYJanicza BravoJeremy O. HarrisEDITORJoi McMillonPRODUCTION DESIGNKatie ByronCINEMATOGRAPHERAri WegnerCOLOURISTDamien VandercruyssenCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 416LENSESARRI/Zeiss Ultra 16 primesSTOCK / SENSORKodak Vision3 250D 7207500T 721901 / 06FILMZolaCINEMATOGRAPHERAri WegnerMORE INFO +FILM INFOZola×FILMZola (2020)YEAR2020GENRECrimeComedyDramaDIRECTORJanicza BravoSCREENPLAYJanicza BravoJeremy O. HarrisEDITORJoi McMillonPRODUCTION DESIGNKatie ByronCINEMATOGRAPHERAri WegnerCOLOURISTDamien VandercruyssenCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 416LENSESARRI/Zeiss Ultra 16 primesSTOCK / SENSORKodak Vision3 250D 7207500T 7219
FILMThe Lighthouse (2019)YEAR2019GENREPsychological HorrorDramaDIRECTORRobert EggersSCREENPLAYRobert EggersMax EggersEDITORLouise FordPRODUCTION DESIGNCraig LathropCINEMATOGRAPHERJarin BlaschkeCOLOURISTJoe GawlerCAPTUREFilmFORMATFilmASPECT1.19:1CAMERASPanavision Panaflex Millennium XL2LENSESBausch & Lomb BaltarPetzvalSTOCK / SENSOREastman Double-X 522201 / 06FILMThe LighthouseCINEMATOGRAPHERJarin BlaschkeMORE INFO +FILM INFOThe Lighthouse×FILMThe Lighthouse (2019)YEAR2019GENREPsychological HorrorDramaDIRECTORRobert EggersSCREENPLAYRobert EggersMax EggersEDITORLouise FordPRODUCTION DESIGNCraig LathropCINEMATOGRAPHERJarin BlaschkeCOLOURISTJoe GawlerCAPTUREFilmFORMATFilmASPECT1.19:1CAMERASPanavision Panaflex Millennium XL2LENSESBausch & Lomb BaltarPetzvalSTOCK / SENSOREastman Double-X 5222
FILMSpider-Man: Into the Spider-Verse (2018)YEAR2018GENREAnimationSuperheroAdventureDIRECTORBob PersichettiPeter RamseyRodney RothmanSCREENPLAYPhil LordRodney RothmanEDITORRobert Fisher Jr.PRODUCTION DESIGNJustin K. ThompsonCINEMATOGRAPHERJustin K. ThompsonCOLOURISTNatasha LeonnetCAPTUREAnimation / N/AFORMATCG animationASPECT2.39:101 / 06FILMSpider-Man: Into the Spider-VerseCINEMATOGRAPHERJustin K. ThompsonMORE INFO +FILM INFOSpider-Man: Into the Spider-Verse×FILMSpider-Man: Into the Spider-Verse (2018)YEAR2018GENREAnimationSuperheroAdventureDIRECTORBob PersichettiPeter RamseyRodney RothmanSCREENPLAYPhil LordRodney RothmanEDITORRobert Fisher Jr.PRODUCTION DESIGNJustin K. ThompsonCINEMATOGRAPHERJustin K. ThompsonCOLOURISTNatasha LeonnetCAPTUREAnimation / N/AFORMATCG animationASPECT2.39:1
FILMBlade Runner 2049 (2017)YEAR2017GENREScience FictionNeo-NoirDIRECTORDenis VilleneuveSCREENPLAYHampton FancherMichael GreenEDITORJoe WalkerPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERRoger DeakinsCOLOURISTMitch PaulsonCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.90:1CAMERASALEXA XT StudioALEXA MiniLENSESARRI/Zeiss Master PrimesSTOCK / SENSORALEXA CMOS01 / 06FILMBlade Runner 2049CINEMATOGRAPHERRoger DeakinsMORE INFO +FILM INFOBlade Runner 2049×FILMBlade Runner 2049 (2017)YEAR2017GENREScience FictionNeo-NoirDIRECTORDenis VilleneuveSCREENPLAYHampton FancherMichael GreenEDITORJoe WalkerPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERRoger DeakinsCOLOURISTMitch PaulsonCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.90:1CAMERASALEXA XT StudioALEXA MiniLENSESARRI/Zeiss Master PrimesSTOCK / SENSORALEXA CMOS
FILMStar Wars: The Last Jedi (2017)YEAR2017GENREScience FictionAdventureDIRECTORRian JohnsonSCREENPLAYRian JohnsonEDITORBob DucsayPRODUCTION DESIGNRick HeinrichsCINEMATOGRAPHERSteve YedlinCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASPanavisionARRI ALEXAIMAXLENSESPanavision anamorphic and spherical (series unconfirmed)STOCK / SENSORKodak (stocks unconfirmed)ALEXA01 / 06FILMStar Wars: The Last JediCINEMATOGRAPHERSteve YedlinMORE INFO +FILM INFOStar Wars: The Last Jedi×FILMStar Wars: The Last Jedi (2017)YEAR2017GENREScience FictionAdventureDIRECTORRian JohnsonSCREENPLAYRian JohnsonEDITORBob DucsayPRODUCTION DESIGNRick HeinrichsCINEMATOGRAPHERSteve YedlinCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASPanavisionARRI ALEXAIMAXLENSESPanavision anamorphic and spherical (series unconfirmed)STOCK / SENSORKodak (stocks unconfirmed)ALEXA
FILMThe Rider (2017)YEAR2017GENREDramaWesternDIRECTORChloé ZhaoSCREENPLAYChloé ZhaoEDITORAlex O’FlinnCINEMATOGRAPHERJoshua James RichardsCOLOURISTAlex BickelCAPTUREDigitalFORMATDigitalCAMERASARRI AMIRALENSESARRI/Zeiss Ultra PrimesSTOCK / SENSORAMIRA CMOS01 / 06FILMThe RiderCINEMATOGRAPHERJoshua James RichardsMORE INFO +FILM INFOThe Rider×FILMThe Rider (2017)YEAR2017GENREDramaWesternDIRECTORChloé ZhaoSCREENPLAYChloé ZhaoEDITORAlex O’FlinnCINEMATOGRAPHERJoshua James RichardsCOLOURISTAlex BickelCAPTUREDigitalFORMATDigitalCAMERASARRI AMIRALENSESARRI/Zeiss Ultra PrimesSTOCK / SENSORAMIRA CMOS
FILMArrival (2016)YEAR2016GENREScience FictionDramaDIRECTORDenis VilleneuveSCREENPLAYEric HeissererEDITORJoe WalkerPRODUCTION DESIGNPatrice VermetteCINEMATOGRAPHERBradford YoungCOLOURISTJoe GawlerCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA XTALEXA XT MSony F55GoPro Hero4 BlackLENSESCamtec Vintage Ultra PrimesZeiss Super SpeedsSTOCK / SENSORALEXA CMOS01 / 06FILMArrivalCINEMATOGRAPHERBradford YoungMORE INFO +FILM INFOArrival×FILMArrival (2016)YEAR2016GENREScience FictionDramaDIRECTORDenis VilleneuveSCREENPLAYEric HeissererEDITORJoe WalkerPRODUCTION DESIGNPatrice VermetteCINEMATOGRAPHERBradford YoungCOLOURISTJoe GawlerCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA XTALEXA XT MSony F55GoPro Hero4 BlackLENSESCamtec Vintage Ultra PrimesZeiss Super SpeedsSTOCK / SENSORALEXA CMOS
FILMMoonlight (2016)YEAR2016GENREDramaDIRECTORBarry JenkinsSCREENPLAYBarry JenkinsEDITORJoi McMillonNat SandersPRODUCTION DESIGNHannah BeachlerCINEMATOGRAPHERJames LaxtonCOLOURISTAlex BickelCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA XTLENSESHawk V-Lite anamorphicSTOCK / SENSORALEXA-family CMOS01 / 06FILMMoonlightCINEMATOGRAPHERJames LaxtonMORE INFO +FILM INFOMoonlight×FILMMoonlight (2016)YEAR2016GENREDramaDIRECTORBarry JenkinsSCREENPLAYBarry JenkinsEDITORJoi McMillonNat SandersPRODUCTION DESIGNHannah BeachlerCINEMATOGRAPHERJames LaxtonCOLOURISTAlex BickelCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA XTLENSESHawk V-Lite anamorphicSTOCK / SENSORALEXA-family CMOS
FILMRaw (2016)YEAR2016GENREHorrorDramaDIRECTORJulia DucournauSCREENPLAYJulia DucournauEDITORJean-Christophe BouzyPRODUCTION DESIGNLaurie ColsonCINEMATOGRAPHERRuben ImpensCOLOURISTPeter BernaersCAPTUREDigitalFORMATDigitalCAMERASALEXA Mini (retrospective interviewmodel needs direct Raw confirmation)LENSESZeiss High Speed Mk IIISTOCK / SENSORALEXA-family CMOS01 / 06FILMRawCINEMATOGRAPHERRuben ImpensMORE INFO +FILM INFORaw×FILMRaw (2016)YEAR2016GENREHorrorDramaDIRECTORJulia DucournauSCREENPLAYJulia DucournauEDITORJean-Christophe BouzyPRODUCTION DESIGNLaurie ColsonCINEMATOGRAPHERRuben ImpensCOLOURISTPeter BernaersCAPTUREDigitalFORMATDigitalCAMERASALEXA Mini (retrospective interviewmodel needs direct Raw confirmation)LENSESZeiss High Speed Mk IIISTOCK / SENSORALEXA-family CMOS
FILMCarol (2015)YEAR2015GENRERomanceDramaDIRECTORTodd HaynesSCREENPLAYPhyllis NagyEDITORAffonso GonçalvesPRODUCTION DESIGNJudy BeckerCINEMATOGRAPHEREdward LachmanCOLOURISTJohn Dowdell IIICAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 416LENSESCooke Speed PanchroSTOCK / SENSORKodak Vision3 200T 7213250D 7207500T 721901 / 06FILMCarolCINEMATOGRAPHEREdward LachmanMORE INFO +FILM INFOCarol×FILMCarol (2015)YEAR2015GENRERomanceDramaDIRECTORTodd HaynesSCREENPLAYPhyllis NagyEDITORAffonso GonçalvesPRODUCTION DESIGNJudy BeckerCINEMATOGRAPHEREdward LachmanCOLOURISTJohn Dowdell IIICAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 416LENSESCooke Speed PanchroSTOCK / SENSORKodak Vision3 200T 7213250D 7207500T 7219
FILMMacbeth (2015)YEAR2015GENREDramaTragedyDIRECTORJustin KurzelSCREENPLAYJacob KoskoffMichael LesslieTodd LouisoEDITORChris DickensPRODUCTION DESIGNFiona CrombieCINEMATOGRAPHERAdam ArkapawCOLOURISTAdam GlasmanCAPTUREDigitalFORMATDigitalSTOCK / SENSORALEXA-family sensorPhantom model/sensor unconfirmed01 / 06FILMMacbethCINEMATOGRAPHERAdam ArkapawMORE INFO +FILM INFOMacbeth×FILMMacbeth (2015)YEAR2015GENREDramaTragedyDIRECTORJustin KurzelSCREENPLAYJacob KoskoffMichael LesslieTodd LouisoEDITORChris DickensPRODUCTION DESIGNFiona CrombieCINEMATOGRAPHERAdam ArkapawCOLOURISTAdam GlasmanCAPTUREDigitalFORMATDigitalSTOCK / SENSORALEXA-family sensorPhantom model/sensor unconfirmed
FILMMad Max: Fury Road (2015)YEAR2015GENREActionScience FictionDIRECTORGeorge MillerSCREENPLAYGeorge MillerBrendan McCarthyNico LathourisEDITORMargaret SixelPRODUCTION DESIGNColin GibsonCINEMATOGRAPHERJohn SealeCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA PlusALEXA MCanon EOS 5DLENSESPanavision Primo sphericalzoomsSTOCK / SENSORALEXA-family CMOSCanon sensors secondary01 / 06FILMMad Max: Fury RoadCINEMATOGRAPHERJohn SealeMORE INFO +FILM INFOMad Max: Fury Road×FILMMad Max: Fury Road (2015)YEAR2015GENREActionScience FictionDIRECTORGeorge MillerSCREENPLAYGeorge MillerBrendan McCarthyNico LathourisEDITORMargaret SixelPRODUCTION DESIGNColin GibsonCINEMATOGRAPHERJohn SealeCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA PlusALEXA MCanon EOS 5DLENSESPanavision Primo sphericalzoomsSTOCK / SENSORALEXA-family CMOSCanon sensors secondary
FILMThe Hateful Eight (2015)YEAR2015GENREWesternMysteryDramaDIRECTORQuentin TarantinoSCREENPLAYQuentin TarantinoEDITORFred RaskinPRODUCTION DESIGNYohei TanedaCINEMATOGRAPHERRobert RichardsonCOLOURISTYvan LucasCAPTUREFilmFORMATFilmASPECT2.76:1CAMERASPanavision System 65 Studio65 HRARRIFLEX 765LENSESUltra Panavision 70 / APO PanatarSTOCK / SENSORKodak Vision3 50D 5203250D 5207200T 5213500T 521901 / 06FILMThe Hateful EightCINEMATOGRAPHERRobert RichardsonMORE INFO +FILM INFOThe Hateful Eight×FILMThe Hateful Eight (2015)YEAR2015GENREWesternMysteryDramaDIRECTORQuentin TarantinoSCREENPLAYQuentin TarantinoEDITORFred RaskinPRODUCTION DESIGNYohei TanedaCINEMATOGRAPHERRobert RichardsonCOLOURISTYvan LucasCAPTUREFilmFORMATFilmASPECT2.76:1CAMERASPanavision System 65 Studio65 HRARRIFLEX 765LENSESUltra Panavision 70 / APO PanatarSTOCK / SENSORKodak Vision3 50D 5203250D 5207200T 5213500T 5219
FILMThe Revenant (2015)YEAR2015GENREWesternAdventureDramaDIRECTORAlejandro G. IñárrituSCREENPLAYMark L. SmithAlejandro G. IñárrituEDITORStephen MirrionePRODUCTION DESIGNJack FiskCINEMATOGRAPHEREmmanuel LubezkiCOLOURISTSteven J. ScottCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA XTALEXA MALEXA 65LENSESARRI/Zeiss Master PrimesARRI Rental Prime 65Leica 16mmSTOCK / SENSORALEXA CMOSALEXA 6501 / 06FILMThe RevenantCINEMATOGRAPHEREmmanuel LubezkiMORE INFO +FILM INFOThe Revenant×FILMThe Revenant (2015)YEAR2015GENREWesternAdventureDramaDIRECTORAlejandro G. IñárrituSCREENPLAYMark L. SmithAlejandro G. IñárrituEDITORStephen MirrionePRODUCTION DESIGNJack FiskCINEMATOGRAPHEREmmanuel LubezkiCOLOURISTSteven J. ScottCAPTUREDigitalFORMATDigitalASPECT2.39:1CAMERASALEXA XTALEXA MALEXA 65LENSESARRI/Zeiss Master PrimesARRI Rental Prime 65Leica 16mmSTOCK / SENSORALEXA CMOSALEXA 65
FILMInterstellar (2014)YEAR2014GENREScience FictionDramaDIRECTORChristopher NolanSCREENPLAYJonathan NolanChristopher NolanEDITORLee SmithPRODUCTION DESIGNNathan CrowleyCINEMATOGRAPHERHoyte van HoytemaCAPTUREFilmFORMATFilmASPECT2.39:1IMAX 1.43:1 / 1.90:1home 1.78:1CAMERASPanavision Millennium XL2IMAX MSM 9802Beaumont VistaVisionLENSESPanavision C/D/E anamorphicsSuper High SpeedHasselblad/Leitz IMAX opticsSTOCK / SENSORKodak Vision3 520752195203 unconfirmed01 / 06FILMInterstellarCINEMATOGRAPHERHoyte van HoytemaMORE INFO +FILM INFOInterstellar×FILMInterstellar (2014)YEAR2014GENREScience FictionDramaDIRECTORChristopher NolanSCREENPLAYJonathan NolanChristopher NolanEDITORLee SmithPRODUCTION DESIGNNathan CrowleyCINEMATOGRAPHERHoyte van HoytemaCAPTUREFilmFORMATFilmASPECT2.39:1IMAX 1.43:1 / 1.90:1home 1.78:1CAMERASPanavision Millennium XL2IMAX MSM 9802Beaumont VistaVisionLENSESPanavision C/D/E anamorphicsSuper High SpeedHasselblad/Leitz IMAX opticsSTOCK / SENSORKodak Vision3 520752195203 unconfirmed
FILMOnly God Forgives (2013)YEAR2013GENRECrimeThrillerDramaDIRECTORNicolas Winding RefnSCREENPLAYNicolas Winding RefnEDITORMatthew NewmanPRODUCTION DESIGNBeth MickleCINEMATOGRAPHERLarry SmithCOLOURISTThomas TherchilsenCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASALEXA PlusRED EpicLENSESCooke S4STOCK / SENSORALEXA CMOSRED Epic sensor unconfirmed01 / 06FILMOnly God ForgivesCINEMATOGRAPHERLarry SmithMORE INFO +FILM INFOOnly God Forgives×FILMOnly God Forgives (2013)YEAR2013GENRECrimeThrillerDramaDIRECTORNicolas Winding RefnSCREENPLAYNicolas Winding RefnEDITORMatthew NewmanPRODUCTION DESIGNBeth MickleCINEMATOGRAPHERLarry SmithCOLOURISTThomas TherchilsenCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASALEXA PlusRED EpicLENSESCooke S4STOCK / SENSORALEXA CMOSRED Epic sensor unconfirmed
FILMPrisoners (2013)YEAR2013GENRECrimeThrillerDramaDIRECTORDenis VilleneuveSCREENPLAYAaron GuzikowskiEDITORJoel CoxGary D. RoachPRODUCTION DESIGNPatrice VermetteCINEMATOGRAPHERRoger DeakinsCOLOURISTMitch PaulsonCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASALEXA StudioALEXA PlusLENSESARRI/Zeiss Master PrimesSTOCK / SENSORALEXA-family CMOS01 / 06FILMPrisonersCINEMATOGRAPHERRoger DeakinsMORE INFO +FILM INFOPrisoners×FILMPrisoners (2013)YEAR2013GENRECrimeThrillerDramaDIRECTORDenis VilleneuveSCREENPLAYAaron GuzikowskiEDITORJoel CoxGary D. RoachPRODUCTION DESIGNPatrice VermetteCINEMATOGRAPHERRoger DeakinsCOLOURISTMitch PaulsonCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASALEXA StudioALEXA PlusLENSESARRI/Zeiss Master PrimesSTOCK / SENSORALEXA-family CMOS
FILMUnder the Skin (2013)YEAR2013GENREScience FictionHorrorDramaDIRECTORJonathan GlazerSCREENPLAYWalter CampbellJonathan GlazerEDITORPaul WattsPRODUCTION DESIGNChris OddyCINEMATOGRAPHERDaniel LandinCOLOURISTJohn ClaudeCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASOne-CamALEXA PlusSTOCK / SENSORALEXAOne-Cam sensor unconfirmed01 / 06FILMUnder the SkinCINEMATOGRAPHERDaniel LandinMORE INFO +FILM INFOUnder the Skin×FILMUnder the Skin (2013)YEAR2013GENREScience FictionHorrorDramaDIRECTORJonathan GlazerSCREENPLAYWalter CampbellJonathan GlazerEDITORPaul WattsPRODUCTION DESIGNChris OddyCINEMATOGRAPHERDaniel LandinCOLOURISTJohn ClaudeCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASOne-CamALEXA PlusSTOCK / SENSORALEXAOne-Cam sensor unconfirmed
FILMBeasts of the Southern Wild (2012)YEAR2012GENREDramaFantasyDIRECTORBenh ZeitlinSCREENPLAYLucy AlibarBenh ZeitlinEDITORCrockett DoobAffonso GonçalvesPRODUCTION DESIGNAlex DiGerlandoCINEMATOGRAPHERBen RichardsonCAPTUREFilmFORMATFilm01 / 06FILMBeasts of the Southern WildCINEMATOGRAPHERBen RichardsonMORE INFO +FILM INFOBeasts of the Southern Wild×FILMBeasts of the Southern Wild (2012)YEAR2012GENREDramaFantasyDIRECTORBenh ZeitlinSCREENPLAYLucy AlibarBenh ZeitlinEDITORCrockett DoobAffonso GonçalvesPRODUCTION DESIGNAlex DiGerlandoCINEMATOGRAPHERBen RichardsonCAPTUREFilmFORMATFilm
FILMSkyfall (2012)YEAR2012GENREActionSpyThrillerDIRECTORSam MendesSCREENPLAYNeal PurvisRobert WadeJohn LoganEDITORStuart BairdPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERRoger DeakinsCOLOURISTMitch PaulsonAdam GlasmanCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.90:1CAMERASALEXA StudioALEXA PlusALEXA MRED EpicLENSESARRI/Zeiss Master PrimesSTOCK / SENSORALEXA CMOSRED sensor unconfirmed01 / 06FILMSkyfallCINEMATOGRAPHERRoger DeakinsMORE INFO +FILM INFOSkyfall×FILMSkyfall (2012)YEAR2012GENREActionSpyThrillerDIRECTORSam MendesSCREENPLAYNeal PurvisRobert WadeJohn LoganEDITORStuart BairdPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERRoger DeakinsCOLOURISTMitch PaulsonAdam GlasmanCAPTUREDigitalFORMATDigitalASPECT2.39:1IMAX 1.90:1CAMERASALEXA StudioALEXA PlusALEXA MRED EpicLENSESARRI/Zeiss Master PrimesSTOCK / SENSORALEXA CMOSRED sensor unconfirmed
FILMHugo (2011)YEAR2011GENREAdventureDramaDIRECTORMartin ScorseseSCREENPLAYJohn LoganEDITORThelma SchoonmakerPRODUCTION DESIGNDante FerrettiCINEMATOGRAPHERRobert RichardsonCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASARRI ALEXALENSESCooke S4/i5/iPanchro/iSTOCK / SENSORALEXA-family CMOS01 / 06FILMHugoCINEMATOGRAPHERRobert RichardsonMORE INFO +FILM INFOHugo×FILMHugo (2011)YEAR2011GENREAdventureDramaDIRECTORMartin ScorseseSCREENPLAYJohn LoganEDITORThelma SchoonmakerPRODUCTION DESIGNDante FerrettiCINEMATOGRAPHERRobert RichardsonCAPTUREDigitalFORMATDigitalASPECT1.85:1CAMERASARRI ALEXALENSESCooke S4/i5/iPanchro/iSTOCK / SENSORALEXA-family CMOS
FILMThe Tree of Life (2011)YEAR2011GENREDramaExperimentalDIRECTORTerrence MalickSCREENPLAYTerrence MalickEDITORHank CorwinJay RabinowitzDaniel RezendeBilly WeberMark YoshikawaPRODUCTION DESIGNJack FiskCINEMATOGRAPHEREmmanuel LubezkiCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRICAM LTARRIFLEX 235LENSESARRI/Zeiss Master PrimesUltra PrimeSTOCK / SENSORKodak (stocks unconfirmed)01 / 06FILMThe Tree of LifeCINEMATOGRAPHEREmmanuel LubezkiMORE INFO +FILM INFOThe Tree of Life×FILMThe Tree of Life (2011)YEAR2011GENREDramaExperimentalDIRECTORTerrence MalickSCREENPLAYTerrence MalickEDITORHank CorwinJay RabinowitzDaniel RezendeBilly WeberMark YoshikawaPRODUCTION DESIGNJack FiskCINEMATOGRAPHEREmmanuel LubezkiCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRICAM LTARRIFLEX 235LENSESARRI/Zeiss Master PrimesUltra PrimeSTOCK / SENSORKodak (stocks unconfirmed)
FILMInception (2010)YEAR2010GENREScience FictionThrillerDIRECTORChristopher NolanSCREENPLAYChristopher NolanEDITORLee SmithPRODUCTION DESIGNGuy Hendrix DyasCINEMATOGRAPHERWally PfisterCOLOURISTDavid OrrCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASPanavision Millennium XLSystem 65BeaucamPhoto-Sonics 4ER/4EPanArri 435Phantom HDLENSESPanavision PrimoSuper High SpeedC/E/G-SeriesSystem 65STOCK / SENSORKodak Vision3 52195207Phantom HD01 / 06FILMInceptionCINEMATOGRAPHERWally PfisterMORE INFO +FILM INFOInception×FILMInception (2010)YEAR2010GENREScience FictionThrillerDIRECTORChristopher NolanSCREENPLAYChristopher NolanEDITORLee SmithPRODUCTION DESIGNGuy Hendrix DyasCINEMATOGRAPHERWally PfisterCOLOURISTDavid OrrCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASPanavision Millennium XLSystem 65BeaucamPhoto-Sonics 4ER/4EPanArri 435Phantom HDLENSESPanavision PrimoSuper High SpeedC/E/G-SeriesSystem 65STOCK / SENSORKodak Vision3 52195207Phantom HD
FILMShutter Island (2010)YEAR2010GENREPsychological ThrillerMysteryDIRECTORMartin ScorseseSCREENPLAYLaeta KalogridisEDITORThelma SchoonmakerPRODUCTION DESIGNDante FerrettiCINEMATOGRAPHERRobert RichardsonCOLOURISTYvan LucasCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASPanavision Millennium/System 65ARRIFLEX 765D-21LENSESPanavision Primo anamorphicSystem 65 lenses01 / 06FILMShutter IslandCINEMATOGRAPHERRobert RichardsonMORE INFO +FILM INFOShutter Island×FILMShutter Island (2010)YEAR2010GENREPsychological ThrillerMysteryDIRECTORMartin ScorseseSCREENPLAYLaeta KalogridisEDITORThelma SchoonmakerPRODUCTION DESIGNDante FerrettiCINEMATOGRAPHERRobert RichardsonCOLOURISTYvan LucasCAPTUREHybridFORMATDigitalFilmASPECT2.39:1CAMERASPanavision Millennium/System 65ARRIFLEX 765D-21LENSESPanavision Primo anamorphicSystem 65 lenses
FILMBright Star (2009)YEAR2009GENRERomanceDramaDIRECTORJane CampionSCREENPLAYJane CampionEDITORAlexandre de FranceschiPRODUCTION DESIGNJanet PattersonCINEMATOGRAPHERGreig FraserCOLOURISTOlivier FontenayCAPTUREFilmFORMATFilmCAMERASARRICAM STARRIFLEX 235LENSESCooke S4Optica Elite01 / 06FILMBright StarCINEMATOGRAPHERGreig FraserMORE INFO +FILM INFOBright Star×FILMBright Star (2009)YEAR2009GENRERomanceDramaDIRECTORJane CampionSCREENPLAYJane CampionEDITORAlexandre de FranceschiPRODUCTION DESIGNJanet PattersonCINEMATOGRAPHERGreig FraserCOLOURISTOlivier FontenayCAPTUREFilmFORMATFilmCAMERASARRICAM STARRIFLEX 235LENSESCooke S4Optica Elite
FILMLet the Right One In (2008)YEAR2008GENREHorrorRomanceDramaDIRECTORTomas AlfredsonSCREENPLAYJohn Ajvide LindqvistEDITORDino JonsäterTomas AlfredsonPRODUCTION DESIGNEva NorénCINEMATOGRAPHERHoyte van HoytemaCAPTUREFilmFORMATFilm01 / 06FILMLet the Right One InCINEMATOGRAPHERHoyte van HoytemaMORE INFO +FILM INFOLet the Right One In×FILMLet the Right One In (2008)YEAR2008GENREHorrorRomanceDramaDIRECTORTomas AlfredsonSCREENPLAYJohn Ajvide LindqvistEDITORDino JonsäterTomas AlfredsonPRODUCTION DESIGNEva NorénCINEMATOGRAPHERHoyte van HoytemaCAPTUREFilmFORMATFilm
FILMThe Assassination of Jesse James by the Coward Robert Ford (2007)YEAR2007GENREWesternDramaDIRECTORAndrew DominikSCREENPLAYAndrew DominikEDITORDylan TichenorCurtiss ClaytonPRODUCTION DESIGNPatricia NorrisCINEMATOGRAPHERRoger DeakinsCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASARRICAM LTARRIFLEX 535BLENSESCooke S4Deakinizer01 / 06FILMThe Assassination of Jesse James by the Coward Robert FordCINEMATOGRAPHERRoger DeakinsMORE INFO +FILM INFOThe Assassination of Jesse James by the Coward Robert Ford×FILMThe Assassination of Jesse James by the Coward Robert Ford (2007)YEAR2007GENREWesternDramaDIRECTORAndrew DominikSCREENPLAYAndrew DominikEDITORDylan TichenorCurtiss ClaytonPRODUCTION DESIGNPatricia NorrisCINEMATOGRAPHERRoger DeakinsCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASARRICAM LTARRIFLEX 535BLENSESCooke S4Deakinizer
FILMZodiac (2007)YEAR2007GENRECrimeThrillerDramaDIRECTORDavid FincherSCREENPLAYJames VanderbiltEDITORAngus WallPRODUCTION DESIGNDonald Graham BurtCINEMATOGRAPHERHarris SavidesCOLOURISTStephen NakamuraCAPTUREHybridFORMATDigital HDFilmASPECT2.39:1CAMERASThomson Viper FilmStreamLENSESZeiss DigiPrimesDigiZoom 6–24mmSTOCK / SENSORThree 2/3-inch CCDsfilm stock unconfirmed01 / 06FILMZodiacCINEMATOGRAPHERHarris SavidesMORE INFO +FILM INFOZodiac×FILMZodiac (2007)YEAR2007GENRECrimeThrillerDramaDIRECTORDavid FincherSCREENPLAYJames VanderbiltEDITORAngus WallPRODUCTION DESIGNDonald Graham BurtCINEMATOGRAPHERHarris SavidesCOLOURISTStephen NakamuraCAPTUREHybridFORMATDigital HDFilmASPECT2.39:1CAMERASThomson Viper FilmStreamLENSESZeiss DigiPrimesDigiZoom 6–24mmSTOCK / SENSORThree 2/3-inch CCDsfilm stock unconfirmed
FILMEternal Sunshine of the Spotless Mind (2004)YEAR2004GENRERomanceScience FictionDramaDIRECTORMichel GondrySCREENPLAYCharlie KaufmanEDITORValdís ÓskarsdóttirPRODUCTION DESIGNDan LeighCINEMATOGRAPHEREllen KurasCOLOURISTMike EavesCAPTUREFilmFORMATFilmASPECT1.85:1LENSESZeiss Super SpeedsSTOCK / SENSORFujifilm Reala 500D 859201 / 06FILMEternal Sunshine of the Spotless MindCINEMATOGRAPHEREllen KurasMORE INFO +FILM INFOEternal Sunshine of the Spotless Mind×FILMEternal Sunshine of the Spotless Mind (2004)YEAR2004GENRERomanceScience FictionDramaDIRECTORMichel GondrySCREENPLAYCharlie KaufmanEDITORValdís ÓskarsdóttirPRODUCTION DESIGNDan LeighCINEMATOGRAPHEREllen KurasCOLOURISTMike EavesCAPTUREFilmFORMATFilmASPECT1.85:1LENSESZeiss Super SpeedsSTOCK / SENSORFujifilm Reala 500D 8592
FILMBig Fish (2003)YEAR2003GENREFantasyDramaDIRECTORTim BurtonSCREENPLAYJohn AugustEDITORChris LebenzonPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERPhilippe RousselotCAPTUREFilmFORMATFilmCAMERASPanavision (model unconfirmed)LENSESPanavision (series unconfirmed)STOCK / SENSORKodak Vision2 500T 521801 / 06FILMBig FishCINEMATOGRAPHERPhilippe RousselotMORE INFO +FILM INFOBig Fish×FILMBig Fish (2003)YEAR2003GENREFantasyDramaDIRECTORTim BurtonSCREENPLAYJohn AugustEDITORChris LebenzonPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERPhilippe RousselotCAPTUREFilmFORMATFilmCAMERASPanavision (model unconfirmed)LENSESPanavision (series unconfirmed)STOCK / SENSORKodak Vision2 500T 5218
FILMLost in Translation (2003)YEAR2003GENREDramaRomanceDIRECTORSofia CoppolaSCREENPLAYSofia CoppolaEDITORSarah FlackPRODUCTION DESIGNK. K. BarrettCINEMATOGRAPHERLance AcordCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASAaton 35-IIIMoviecam CompactLENSESZeiss Super SpeedsAngénieux zoomSTOCK / SENSORKodak Vision 500T 5263Vision 320T 527701 / 06FILMLost in TranslationCINEMATOGRAPHERLance AcordMORE INFO +FILM INFOLost in Translation×FILMLost in Translation (2003)YEAR2003GENREDramaRomanceDIRECTORSofia CoppolaSCREENPLAYSofia CoppolaEDITORSarah FlackPRODUCTION DESIGNK. K. BarrettCINEMATOGRAPHERLance AcordCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASAaton 35-IIIMoviecam CompactLENSESZeiss Super SpeedsAngénieux zoomSTOCK / SENSORKodak Vision 500T 5263Vision 320T 5277
FILMHero (2002)YEAR2002GENREMartial ArtsDramaDIRECTORZhang YimouSCREENPLAYLi FengWang BinZhang YimouEDITORAngie LamPRODUCTION DESIGNHuo TingxiaoYi ZhenzhouCINEMATOGRAPHERChristopher DoyleCAPTUREFilmFORMATFilmSTOCK / SENSORFuji (stocks unconfirmed)01 / 06FILMHeroCINEMATOGRAPHERChristopher DoyleMORE INFO +FILM INFOHero×FILMHero (2002)YEAR2002GENREMartial ArtsDramaDIRECTORZhang YimouSCREENPLAYLi FengWang BinZhang YimouEDITORAngie LamPRODUCTION DESIGNHuo TingxiaoYi ZhenzhouCINEMATOGRAPHERChristopher DoyleCAPTUREFilmFORMATFilmSTOCK / SENSORFuji (stocks unconfirmed)
FILMRoad to Perdition (2002)YEAR2002GENRECrimeDramaDIRECTORSam MendesSCREENPLAYDavid SelfEDITORJill BilcockPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERConrad L. HallCAPTUREFilmFORMATFilmASPECT2.39:101 / 06FILMRoad to PerditionCINEMATOGRAPHERConrad L. HallMORE INFO +FILM INFORoad to Perdition×FILMRoad to Perdition (2002)YEAR2002GENRECrimeDramaDIRECTORSam MendesSCREENPLAYDavid SelfEDITORJill BilcockPRODUCTION DESIGNDennis GassnerCINEMATOGRAPHERConrad L. HallCAPTUREFilmFORMATFilmASPECT2.39:1
FILMSpirited Away (2001)YEAR2001GENREAnimationFantasyAdventureDIRECTORHayao MiyazakiSCREENPLAYHayao MiyazakiEDITORTakeshi SeyamaPRODUCTION DESIGNYoji Takeshige (art director)CINEMATOGRAPHERAtsushi OkuiCAPTUREAnimation / N/AFORMATHand-drawn animationASPECT1.85:101 / 06FILMSpirited AwayCINEMATOGRAPHERAtsushi OkuiMORE INFO +FILM INFOSpirited Away×FILMSpirited Away (2001)YEAR2001GENREAnimationFantasyAdventureDIRECTORHayao MiyazakiSCREENPLAYHayao MiyazakiEDITORTakeshi SeyamaPRODUCTION DESIGNYoji Takeshige (art director)CINEMATOGRAPHERAtsushi OkuiCAPTUREAnimation / N/AFORMATHand-drawn animationASPECT1.85:1
FILMIn the Mood for Love (2000)YEAR2000GENRERomanceDramaDIRECTORWong Kar-waiSCREENPLAYWong Kar-waiEDITORWilliam Chang Suk-pingPRODUCTION DESIGNWilliam Chang Suk-pingCINEMATOGRAPHERChristopher DoyleMark Lee Ping-bingCAPTUREFilmFORMATFilmSTOCK / SENSORKodak (stocks unconfirmed)01 / 06FILMIn the Mood for LoveCINEMATOGRAPHERChristopher Doyle / Mark Lee Ping-bingMORE INFO +FILM INFOIn the Mood for Love×FILMIn the Mood for Love (2000)YEAR2000GENRERomanceDramaDIRECTORWong Kar-waiSCREENPLAYWong Kar-waiEDITORWilliam Chang Suk-pingPRODUCTION DESIGNWilliam Chang Suk-pingCINEMATOGRAPHERChristopher DoyleMark Lee Ping-bingCAPTUREFilmFORMATFilmSTOCK / SENSORKodak (stocks unconfirmed)
FILMUnbreakable (2000)YEAR2000GENRESuperheroThrillerDramaDIRECTORM. Night ShyamalanSCREENPLAYM. Night ShyamalanEDITORDylan TichenorPRODUCTION DESIGNLarry FultonCINEMATOGRAPHEREduardo SerraCAPTUREFilmFORMATFilmASPECT2.39:1 / 2.35:1CAMERASPanavision MillenniumPanaflex G2Millennium XLLENSESPanavision anamorphic Primosanamorphic zoomSTOCK / SENSORKodak Vision 320T 5277Vision 500T 527901 / 06FILMUnbreakableCINEMATOGRAPHEREduardo SerraMORE INFO +FILM INFOUnbreakable×FILMUnbreakable (2000)YEAR2000GENRESuperheroThrillerDramaDIRECTORM. Night ShyamalanSCREENPLAYM. Night ShyamalanEDITORDylan TichenorPRODUCTION DESIGNLarry FultonCINEMATOGRAPHEREduardo SerraCAPTUREFilmFORMATFilmASPECT2.39:1 / 2.35:1CAMERASPanavision MillenniumPanaflex G2Millennium XLLENSESPanavision anamorphic Primosanamorphic zoomSTOCK / SENSORKodak Vision 320T 5277Vision 500T 5279
FILMAmerican Beauty (1999)YEAR1999GENREDramaDIRECTORSam MendesSCREENPLAYAlan BallEDITORTariq AnwarChristopher GreenburyPRODUCTION DESIGNNaomi ShohanCINEMATOGRAPHERConrad L. HallCOLOURISTPhil HetosCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision Panaflex PlatinumLENSESPanavision Primo primes and zoomsSTOCK / SENSORKodak Vision 500T 5279Vision 200T 5274EXR 100T 524801 / 06FILMAmerican BeautyCINEMATOGRAPHERConrad L. HallMORE INFO +FILM INFOAmerican Beauty×FILMAmerican Beauty (1999)YEAR1999GENREDramaDIRECTORSam MendesSCREENPLAYAlan BallEDITORTariq AnwarChristopher GreenburyPRODUCTION DESIGNNaomi ShohanCINEMATOGRAPHERConrad L. HallCOLOURISTPhil HetosCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision Panaflex PlatinumLENSESPanavision Primo primes and zoomsSTOCK / SENSORKodak Vision 500T 5279Vision 200T 5274EXR 100T 5248
FILMFight Club (1999)YEAR1999GENREDramaThrillerDIRECTORDavid FincherSCREENPLAYJim UhlsEDITORJames HaygoodPRODUCTION DESIGNAlex McDowellCINEMATOGRAPHERJeff CronenwethCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision PlatinumLENSESPanavision Primo primesSTOCK / SENSORKodak EXR 100T 5248Vision 250D 5246Vision 500T 527901 / 06FILMFight ClubCINEMATOGRAPHERJeff CronenwethMORE INFO +FILM INFOFight Club×FILMFight Club (1999)YEAR1999GENREDramaThrillerDIRECTORDavid FincherSCREENPLAYJim UhlsEDITORJames HaygoodPRODUCTION DESIGNAlex McDowellCINEMATOGRAPHERJeff CronenwethCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision PlatinumLENSESPanavision Primo primesSTOCK / SENSORKodak EXR 100T 5248Vision 250D 5246Vision 500T 5279
FILMThe Thin Red Line (1998)YEAR1998GENREWarDramaDIRECTORTerrence MalickSCREENPLAYTerrence MalickEDITORBilly WeberLeslie JonesSaar KleinPRODUCTION DESIGNJack FiskCINEMATOGRAPHERJohn TollCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision GoldPlatinumPanastarARRILENSESPanavision PrimoC-SerieszoomsSTOCK / SENSORKodak (stocks unconfirmed)01 / 06FILMThe Thin Red LineCINEMATOGRAPHERJohn TollMORE INFO +FILM INFOThe Thin Red Line×FILMThe Thin Red Line (1998)YEAR1998GENREWarDramaDIRECTORTerrence MalickSCREENPLAYTerrence MalickEDITORBilly WeberLeslie JonesSaar KleinPRODUCTION DESIGNJack FiskCINEMATOGRAPHERJohn TollCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision GoldPlatinumPanastarARRILENSESPanavision PrimoC-SerieszoomsSTOCK / SENSORKodak (stocks unconfirmed)
FILML.A. Confidential (1997)YEAR1997GENRECrimeNeo-NoirDramaDIRECTORCurtis HansonSCREENPLAYBrian HelgelandCurtis HansonEDITORPeter HonessPRODUCTION DESIGNJeannine OppewallCINEMATOGRAPHERDante SpinottiCOLOURISTDavid OrrCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision PlatinumGold IILightweightLENSESPanavision Primo sphericalSTOCK / SENSORKodak EXR 200T 5293Vision 500T 527901 / 06FILML.A. ConfidentialCINEMATOGRAPHERDante SpinottiMORE INFO +FILM INFOL.A. Confidential×FILML.A. Confidential (1997)YEAR1997GENRECrimeNeo-NoirDramaDIRECTORCurtis HansonSCREENPLAYBrian HelgelandCurtis HansonEDITORPeter HonessPRODUCTION DESIGNJeannine OppewallCINEMATOGRAPHERDante SpinottiCOLOURISTDavid OrrCAPTUREFilmFORMATFilmASPECT2.39:1CAMERASPanavision PlatinumGold IILightweightLENSESPanavision Primo sphericalSTOCK / SENSORKodak EXR 200T 5293Vision 500T 5279
FILMSchindler’s List (1993)YEAR1993GENREHistoricalDramaWarDIRECTORSteven SpielbergSCREENPLAYSteven ZaillianEDITORMichael KahnPRODUCTION DESIGNAllan StarskiCINEMATOGRAPHERJanusz KamińskiCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 535/535BMoviecam (selected use)LENSESZeiss Standard Speed and Super Speed primesSTOCK / SENSORPlus-X 5231Double-X 5222colour 5247 and 529601 / 06FILMSchindler’s ListCINEMATOGRAPHERJanusz KamińskiMORE INFO +FILM INFOSchindler’s List×FILMSchindler’s List (1993)YEAR1993GENREHistoricalDramaWarDIRECTORSteven SpielbergSCREENPLAYSteven ZaillianEDITORMichael KahnPRODUCTION DESIGNAllan StarskiCINEMATOGRAPHERJanusz KamińskiCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 535/535BMoviecam (selected use)LENSESZeiss Standard Speed and Super Speed primesSTOCK / SENSORPlus-X 5231Double-X 5222colour 5247 and 5296
FILMDays Of Thunder (1990)YEAR1990GENRESportsDramaDIRECTORTony ScottSCREENPLAYRobert TowneEDITORBilly WeberChris LebenzonPRODUCTION DESIGNBenjamin FernandezThomas E. Sanders (roles unconfirmed)CINEMATOGRAPHERWard RussellCAPTUREFilmFORMATFilmCAMERASPanavision (models unconfirmed)LENSESPanavision (series unconfirmed)01 / 06FILMDays Of ThunderCINEMATOGRAPHERWard RussellMORE INFO +FILM INFODays Of Thunder×FILMDays Of Thunder (1990)YEAR1990GENRESportsDramaDIRECTORTony ScottSCREENPLAYRobert TowneEDITORBilly WeberChris LebenzonPRODUCTION DESIGNBenjamin FernandezThomas E. Sanders (roles unconfirmed)CINEMATOGRAPHERWard RussellCAPTUREFilmFORMATFilmCAMERASPanavision (models unconfirmed)LENSESPanavision (series unconfirmed)
FILMBlade Runner (1982)YEAR1982GENREScience FictionNeo-NoirDIRECTORRidley ScottSCREENPLAYHampton FancherDavid PeoplesEDITORTerry RawlingsMarsha NakashimaPRODUCTION DESIGNLawrence G. PaullCINEMATOGRAPHERJordan CronenwethCAPTUREFilmFORMATFilm01 / 06FILMBlade RunnerCINEMATOGRAPHERJordan CronenwethMORE INFO +FILM INFOBlade Runner×FILMBlade Runner (1982)YEAR1982GENREScience FictionNeo-NoirDIRECTORRidley ScottSCREENPLAYHampton FancherDavid PeoplesEDITORTerry RawlingsMarsha NakashimaPRODUCTION DESIGNLawrence G. PaullCINEMATOGRAPHERJordan CronenwethCAPTUREFilmFORMATFilm
FILMRaging Bull (1980)YEAR1980GENREBiographicalSportsDramaDIRECTORMartin ScorseseSCREENPLAYPaul SchraderMardik MartinEDITORThelma SchoonmakerPRODUCTION DESIGNGene RudolfCINEMATOGRAPHERMichael ChapmanCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 35 BLLENSESZeiss Super SpeedCooke VarotalSTOCK / SENSOREastman Double-X 5222Plus-X 5231colour stocks unconfirmed01 / 06FILMRaging BullCINEMATOGRAPHERMichael ChapmanMORE INFO +FILM INFORaging Bull×FILMRaging Bull (1980)YEAR1980GENREBiographicalSportsDramaDIRECTORMartin ScorseseSCREENPLAYPaul SchraderMardik MartinEDITORThelma SchoonmakerPRODUCTION DESIGNGene RudolfCINEMATOGRAPHERMichael ChapmanCAPTUREFilmFORMATFilmASPECT1.85:1CAMERASARRIFLEX 35 BLLENSESZeiss Super SpeedCooke VarotalSTOCK / SENSOREastman Double-X 5222Plus-X 5231colour stocks unconfirmed
FILMAlien (1979)YEAR1979GENREScience FictionHorrorDIRECTORRidley ScottSCREENPLAYDan O’BannonEDITORTerry RawlingsPeter WeatherleyPRODUCTION DESIGNMichael SeymourCINEMATOGRAPHERDerek VanlintCAPTUREFilmFORMATFilmCAMERASPanavision PanaflexPanavision SR01 / 06FILMAlienCINEMATOGRAPHERDerek VanlintMORE INFO +FILM INFOAlien×FILMAlien (1979)YEAR1979GENREScience FictionHorrorDIRECTORRidley ScottSCREENPLAYDan O’BannonEDITORTerry RawlingsPeter WeatherleyPRODUCTION DESIGNMichael SeymourCINEMATOGRAPHERDerek VanlintCAPTUREFilmFORMATFilmCAMERASPanavision PanaflexPanavision SR
FILMLawrence Of Arabia (1962)YEAR1962GENREEpicAdventureDramaDIRECTORDavid LeanSCREENPLAYRobert BoltMichael WilsonEDITORAnne V. CoatesPRODUCTION DESIGNJohn BoxCINEMATOGRAPHERFreddie YoungCAPTUREFilmFORMATFilmASPECT2.20:1CAMERASMitchell-derived 65mm camerasLENSESPanavision 65mm sphericalSTOCK / SENSOREastman 50T 525001 / 06FILMLawrence Of ArabiaCINEMATOGRAPHERFreddie YoungMORE INFO +FILM INFOLawrence Of Arabia×FILMLawrence Of Arabia (1962)YEAR1962GENREEpicAdventureDramaDIRECTORDavid LeanSCREENPLAYRobert BoltMichael WilsonEDITORAnne V. CoatesPRODUCTION DESIGNJohn BoxCINEMATOGRAPHERFreddie YoungCAPTUREFilmFORMATFilmASPECT2.20:1CAMERASMitchell-derived 65mm camerasLENSESPanavision 65mm sphericalSTOCK / SENSOREastman 50T 5250
FILMThe Night of the Hunter (1955)YEAR1955GENREThrillerFilm NoirDIRECTORCharles LaughtonSCREENPLAYJames AgeeEDITORRobert GoldenPRODUCTION DESIGNHilyard M. Brown (art director)CINEMATOGRAPHERStanley CortezCAPTUREFilmFORMATFilmSTOCK / SENSORKodak Tri-X (partial stock list)01 / 06FILMThe Night of the HunterCINEMATOGRAPHERStanley CortezMORE INFO +FILM INFOThe Night of the Hunter×FILMThe Night of the Hunter (1955)YEAR1955GENREThrillerFilm NoirDIRECTORCharles LaughtonSCREENPLAYJames AgeeEDITORRobert GoldenPRODUCTION DESIGNHilyard M. Brown (art director)CINEMATOGRAPHERStanley CortezCAPTUREFilmFORMATFilmSTOCK / SENSORKodak Tri-X (partial stock list)
FILMCitizen Kane (1941)YEAR1941GENREDramaDIRECTOROrson WellesSCREENPLAYHerman J. MankiewiczOrson WellesEDITORRobert WisePRODUCTION DESIGNVan Nest Polglase (art director)Perry Ferguson (associate art director)CINEMATOGRAPHERGregg TolandCAPTUREFilmFORMATFilmASPECT1.37:1CAMERASMitchell BNCLENSESSpherical primes (models unconfirmed)STOCK / SENSORKodak Super-XX01 / 06FILMCitizen KaneCINEMATOGRAPHERGregg TolandMORE INFO +FILM INFOCitizen Kane×FILMCitizen Kane (1941)YEAR1941GENREDramaDIRECTOROrson WellesSCREENPLAYHerman J. MankiewiczOrson WellesEDITORRobert WisePRODUCTION DESIGNVan Nest Polglase (art director)Perry Ferguson (associate art director)CINEMATOGRAPHERGregg TolandCAPTUREFilmFORMATFilmASPECT1.37:1CAMERASMitchell BNCLENSESSpherical primes (models unconfirmed)STOCK / SENSORKodak Super-XX